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Metal objects, workshops, and making across Islamic worlds.

A Digital Exhibition of Islamic Metalwork

Islamicmetal.com introduces visitors to the making of metal objects across the Islamic world from the beginning of Islam to the present. The site follows vessels, lamps, astrolabes, arms, jewelry, coins, boxes, and living craft traditions through materials and techniques: cast bronze, raised copper, engraved brass, silver inlay, damascened steel, bidriware, gilded tombak, tin-lined copper, and more. The main question is always practical as well as historical: how was this object made, and what did that making communicate?

The core question on every page: How was this object made, and what did that making communicate?

Examples from Museums

Public domain objects from major collections, each with full metadata and manufacturing notes.

Bulbous brass ewer with lid, handle, long spout, and dense silver-inlaid ornament arranged in bands around the body.

Luxury Ewer Extending Good Fortune to the Owner

1223, Iraq, possibly Mosul

Cleveland Museum of Art

Tall brass ewer with long spout, rounded handle, engraved bands, silver inlay, copper accents, and dark compound in recessed ornament.

Ewer

first half 14th century, attributed to Egypt

The Metropolitan Museum of Art

Low flaring brass basin with a band of silver-inlaid inscriptions, medallions, and dark ground around the exterior.

Basin with Zodiac Signs and Royal Titles

late 13th–early 14th century, attributed to Egypt or Syria

The Metropolitan Museum of Art

Cylindrical candlestick base with dense engraved ornament, medallions, inscriptions, and traces of silver inlay.

Candlestick

first half 14th century, attributed to Egypt or Syria

The Metropolitan Museum of Art

Round brass astrolabe with suspension ring, pierced rete, engraved scales, Arabic inscriptions, and movable pointer.

Astrolabe of Umar ibn Yusuf ibn Umar ibn Ali ibn Rasul al-Muzaffari

1291 CE, Yemen

The Metropolitan Museum of Art

Dark bidriware huqqa base with polished metallic floral inlay of irises on a blackened ground.

Base for a Water Pipe (Huqqa) with Irises

late 17th century, Bidar, Deccan, India

The Metropolitan Museum of Art

Watch: How It Is Made

Two short films on silver inlay and living metalwork traditions.

The silver inlay process from channel cutting to final burnishing.
Documentary footage of traditional metalworking techniques still practiced today.

A Network, Not a Style

This site does not treat Islamic metalwork as one style or one religious category. It presents a network of regions, patrons, makers, merchants, users, repairs, and museum histories. Objects may have been made for Muslim, Christian, Jewish, Hindu, courtly, domestic, scientific, military, or commercial settings.